EarthQuaker Devices Hizumitas-Pba vs JHS Pedals JHS Muffuletta
The EarthQuaker Devices Hizumitas-Pba and the JHS Pedals JHS Muffuletta are both pedals sharing scooped, full, sustaining. The EarthQuaker Devices Hizumitas-Pba leans fuzzy. The JHS Pedals JHS Muffuletta leans smooth and dark.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.46% — somewhat different
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Genres both listings are associated with.- Shoegaze
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Derived from overlapping tonal signals across both listings.- scooped
- full
- sustaining
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$229via Reverb
The EarthQuaker Devices Hizumitas is a fuzz sustainer pedal developed in collaboration with Wata of the Japanese heavy psych and drone metal band Boris, voiced around her personalized fuzz rig. Inspired loosely by the Ram's Head Big Muff circuit, it delivers a massive, harmonically dense fuzz sustain with a pronounced low midrange presence and enormous volume ceiling. A three-position toggle selects three distinct EQ voices ranging from scooped to mid-forward. Associated with heavy psych, drone metal, noise rock, and shoegaze, it has become one of EarthQuaker Devices' flagship fuzz pedals.
The JHS Muffuletta is a six-in-one Big Muff style fuzz that houses faithful recreations of five classic Muff circuits plus an original JHS voicing, selectable with a rotary switch and sharing Volume, Tone, and Sustain controls. Its modes cover the 1973 Ram's Head, dark with less gain and beloved of David Gilmour and J Mascis, the aggressive Triangle with a rougher edge and harsher attack, the classic Pi, the brighter, more midrange-forward Civil War with less gain, the Russian with less clarity and low end for a garage sound, and the JHS Original, a more powerful, less compressed take with a haunting midrange. This makes it a definitive Big Muff reference, letting players compare and use the major Muff variants from one box. It suits psychedelic, stoner, doom, shoegaze, grunge, and lead-focused players wanting thick, creamy, sustaining fuzz with the flavor of multiple eras.
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Genres this gear is documented as being used in.- Metal
- Noise Rock
- Grunge
- Rock
- Alternative Rock
- fuzzy
- smooth
- dark