EarthQuaker Devices Hizumitas vs Maxon FV10 Fuzz Elements Void
The EarthQuaker Devices Hizumitas and the Maxon FV10 Fuzz Elements Void are both pedals sharing full. The EarthQuaker Devices Hizumitas leans fuzzy and saturated. The Maxon FV10 Fuzz Elements Void leans scooped.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.47% — somewhat different
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Derived from overlapping tonal signals across both listings.- full
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$135.80via Reverb
The EarthQuaker Devices Hizumitas is a Big Muff style fuzz sustainer created with Boris guitarist Wata, recreating the sound of her favorite vintage fuzz, the Japanese Elk BM Sustainar, after EQD studied her actual pedal. It delivers heavy saturation with a gritty edge and a massive bottom end, yet keeps enough mids and top end to stay clear and dynamic and cut through sludge, with tons of sustain ranging from smooth distortion textures to ripped speaker fuzz. Its three-knob layout is familiar to Big Muff users but behaves unusually, with a hot output reaching unity around nine o'clock and a sustain knob that starts hot with no clean tones, and a reversed-feeling tone control that is brightest fully counterclockwise. Built for noisy, slow, and low sounds, it suits doom, sludge, stoner rock, and heavy psychedelic players chasing thick, sustaining fuzz with clarity.
The Maxon FV10 Fuzz Elements Void is part of Maxon's Fuzz Elements series, each voiced around a different character. The Void is the dark, open and resonant voice of the set, producing a deep, expansive fuzz with a heavy low end and a scooped, cavernous midrange rather than the midrange-forward bite of a Tube Screamer-derived circuit. It sustains long and stays thick as notes decay, suiting doom, stoner and psychedelic playing where a wide, enveloping fuzz is wanted over a tight one.
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Genres this gear is documented as being used in.- Metal
- Stoner Rock
- Noise Rock
- Experimental
- fuzzy
- saturated
- mid-forward
- scooped