EarthQuaker Devices Plumes KGR Collector Limited #46/100 vs Walrus Audio Ages Five-State Overdrive

The EarthQuaker Devices Plumes KGR Collector Limited #46/100 and the Walrus Audio Ages Five-State Overdrive are both pedals sharing transparent. The Walrus Audio Ages Five-State Overdrive leans smooth and fuzzy.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

37% — somewhat different

Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • transparent
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
0%
Price
—

$199via Reverb

Description

The EarthQuaker Devices x KGR Harmony Cast Iron Plumes is a 100-unit, individually numbered limited edition of the standard Plumes overdrive, distinguished entirely by its hand-cast iron enclosure. The casing was made by Oitomi Ironworks in Iwate, Japan using Nanbu-tekki, a centuries-old Japanese ironworking technique traditionally used for cast-iron teapots, in collaboration with pedal builder Keijiro "KG" Fukushima of KGR Harmony. The underlying circuit, the same all-analog Tube Screamer-style transparent overdrive with a three-way Clipping switch found on the standard Plumes, is unchanged; the edition's value is in its handcrafted enclosure and extreme scarcity.

The Walrus Audio Ages Five-State Overdrive is an overdrive pedal built around a five-position rotary switch offering distinct clipping modes, from low-gain silicon soft clipping to high-gain silicon hard clipping, each with its own tonal character ranging from smooth and compressed to punchy and saturated. A parallel-path topology lets players blend the dry signal with the effected path via a dedicated Dry control, alongside Gain, Volume, Bass, and Treble knobs and a boost/cut low-frequency control, making it as usable for transparent boost as for hard-hitting saturation.

Genres
citedGenres this gear is documented as being used in.
  • Post-Punk
  • Shoegaze
  • Rock
  • Indie Rock
  • Alternative Rock
  • Blues
  • alternative
  • blues
  • rock
Tonal lean
—
  • smooth
  • fuzzy
  • saturated

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