EarthQuaker Devices Special Cranker vs ProCo RAT 2
The EarthQuaker Devices Special Cranker and the ProCo RAT 2 are both pedals sharing gritty, transparent, saturated. The EarthQuaker Devices Special Cranker leans fuzzy. The ProCo RAT 2 leans low gain and fuzzy. Current prices: $99 vs $86.93.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.46% — somewhat different
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Genres both listings are associated with.- Alternative Rock
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Derived from overlapping tonal signals across both listings.- gritty
- transparent
- saturated
- bright
- dynamic
- harmonically rich
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$99via Reverb
$86.93via Reverb
The EarthQuaker Devices Special Cranker is a warm, ultra-touch-responsive medium-gain overdrive built as the successor to the discontinued Speaker Cranker, adding more controls and a diode selector switch to that pedal's spongy, dynamic character. It responds like adding another tube to an amp's preamp stage, keeping the core guitar tone intact while adding articulate, controlled snarl and sustain. A Germanium setting delivers a softer, more rounded response with tamed highs and lower output, while a Silicon setting is brighter and more modern, with higher output, a fatter low-mid bloom, and chords that stay distinct without turning muddy. It suits players wanting a reliable, touch-sensitive overdrive that behaves like an extra tube gain stage, with real tonal choice between soft germanium warmth and bright silicon punch.
The ProCo RAT 2 is a classic hard-clipping distortion pedal whose circuit dates to the late 1970s, built around an LM308 op-amp and silicon diode clipping. Its three controls are Distortion, Filter, and Volume, with the distinctive Filter knob acting as a reversed tone control that runs from bright and cutting to dark and warm. Capable of far more than its name suggests, it spans gritty low-gain overdrive, thick midrange distortion, and nearly fuzz-like saturation while keeping notes present and clear even at high gain. It is a staple of punk, grunge, garage, stoner, doom, and alternative rock, and has been used by players from Jeff Beck and Thom Yorke to countless heavy and experimental guitarists. Dynamic and harmonically rich, it cleans up with guitar volume and stays articulate rather than overly compressed.
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Genres this gear is documented as being used in.- Experimental
- Punk
- Grunge
- Metal
- Hard Rock
- Rock
- fuzzy
- low gain
- fuzzy
- full