Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 vs Electro-Harmonix Ram's Head Big Muff
The Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 and the Electro-Harmonix Ram's Head Big Muff are both pedals sharing fuzzy, sustaining, bright. The Electro-Harmonix Ram's Head Big Muff leans smooth and full. Current prices: $114.30 vs $95.16.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.48% — somewhat different
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Genres both listings are associated with.- Classic Rock
- Shoegaze
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Derived from overlapping tonal signals across both listings.- fuzzy
- sustaining
- bright
- mid-forward
- harmonically rich
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$114.30via Reverb
$95.16via Reverb
The Electro-Harmonix Ram's Head Big Muff Pi V2 is a germanium-topology fuzz variant from the early-to-mid 1970s, prized for a smoother, more articulate voice than other Big Muff versions. It has a throatier, midrange-sparkling character with less low-end weight but excellent note separation on chords, and effervescent, sustain-rich lead tone that sings on single-coil pickups and turns smoother and more vocal with humbuckers. It is closely associated with David Gilmour's Comfortably Numb solo tone, and also suits looser, grungier alt-rock fuzz textures. Its gain control set around noon produces some of the smoothest high-to-mid-gain fuzz in the Big Muff family.
The Electro-Harmonix Ram's Head Big Muff reissues the early-1970s Ram's Head Muff, known for a creamy, articulate fuzz with exceptional sustain, rich harmonics, and a distinct mid scoop suited to soaring leads and thick wall-of-sound rhythm. It is growlier in the midrange than Russian-style and triangle Muffs, with smoother, more sonorous sustained notes, splitting the difference between a triangle's silicon fizz and a Russian Muff's smooth contours. It has less low end than many Big Muffs, making it tighter, more controlled, and more articulate, with the mid scoop present but balanced enough to preserve string definition. Famous for screaming leads and long, violin-like sustained bends in the David Gilmour vein, it sits between classic fuzz and distortion. With Volume, Tone, and Sustain it suits psychedelic, classic rock, shoegaze, and lead-focused players.
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Genres this gear is documented as being used in.- Alternative Rock
- Rock
- Stoner Rock
- Metal
- Punk
- Experimental
- smooth
- full