Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 vs Mojo Hand FX Colossus Fuzz

The Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 and the Mojo Hand FX Colossus Fuzz are both pedals sharing sustaining, bright, mid-forward. The Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 leans fuzzy. The Mojo Hand FX Colossus Fuzz leans full. Current prices: $114.30 vs $159.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

48% — somewhat different

Shared genres
citedGenres both listings are associated with.
  • Rock
Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • sustaining
  • bright
  • mid-forward
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
17%
0%
Price

$114.30via Reverb

$159via Reverb

Description

The Electro-Harmonix Ram's Head Big Muff Pi V2 is a germanium-topology fuzz variant from the early-to-mid 1970s, prized for a smoother, more articulate voice than other Big Muff versions. It has a throatier, midrange-sparkling character with less low-end weight but excellent note separation on chords, and effervescent, sustain-rich lead tone that sings on single-coil pickups and turns smoother and more vocal with humbuckers. It is closely associated with David Gilmour's Comfortably Numb solo tone, and also suits looser, grungier alt-rock fuzz textures. Its gain control set around noon produces some of the smoothest high-to-mid-gain fuzz in the Big Muff family.

The Mojo Hand FX Colossus is a Big Muff-style fuzz with added flexibility, including a mids control to combat the typical Muff scoop. Used by Eric Gales, it delivers a thick, saturated, sustaining fuzz that can cut through a mix better than a stock Muff. It suits blues-rock and rock lead wanting massive, singing fuzz with usable midrange.

Genres
citedGenres this gear is documented as being used in.
  • Classic Rock
  • Shoegaze
  • Alternative Rock
  • Stoner Rock
  • Metal
  • Punk
  • Experimental
  • Blues Rock
Tonal lean
  • fuzzy
  • full

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