Electro-Harmonix Big Muff Pi with Tone Wicker vs Electro-Harmonix Ram's Head Big Muff
The Electro-Harmonix Big Muff Pi with Tone Wicker and the Electro-Harmonix Ram's Head Big Muff are both pedals sharing fuzzy, bright, full. The Electro-Harmonix Big Muff Pi with Tone Wicker leans saturated and aggressive. The Electro-Harmonix Ram's Head Big Muff leans mid-forward and smooth. Current prices: $123.92 vs $95.11.
cited
Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.46% — somewhat different
cited
Derived from overlapping tonal signals across both listings.- fuzzy
- bright
- full
Electro-Harmonix Big Muff Pi with Tone Wicker
Unknown brand · pedal
cited
Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$123.92via Reverb
$95.11via Reverb
The Electro-Harmonix Big Muff Pi with Tone Wicker carries the same thick, wooly, sustain-heavy fuzz as a standard Big Muff Pi, with an added three-position Wicker switch that opens up high-frequency filters for a raspier, more open top end and extra bite on sustained notes. With the Wicker switch bypassed it sits in classic, smooth Big Muff territory; engaged, it adds a brighter, more aggressive edge that cuts through a mix more than the stock voicing. A separate Tone-bypass switch removes the tone control from the circuit entirely for full, unfiltered saturation. It suits players who want the familiar scooped Big Muff sustain with extra tonal flexibility.
The Electro-Harmonix Ram's Head Big Muff reissues the early-1970s Ram's Head Muff, known for a creamy, articulate fuzz with exceptional sustain, rich harmonics, and a distinct mid scoop suited to soaring leads and thick wall-of-sound rhythm. It is growlier in the midrange than Russian-style and triangle Muffs, with smoother, more sonorous sustained notes, splitting the difference between a triangle's silicon fizz and a Russian Muff's smooth contours. It has less low end than many Big Muffs, making it tighter, more controlled, and more articulate, with the mid scoop present but balanced enough to preserve string definition. Famous for screaming leads and long, violin-like sustained bends in the David Gilmour vein, it sits between classic fuzz and distortion. With Volume, Tone, and Sustain it suits psychedelic, classic rock, shoegaze, and lead-focused players.
cited
Genres this gear is documented as being used in.- Experimental
- Classic Rock
- Shoegaze
- saturated
- aggressive
- scooped
- mid-forward
- smooth