Electro-Harmonix Cock Fight vs Keeley Neutrino V2
The Electro-Harmonix Cock Fight and the Keeley Neutrino V2 are both pedals sharing mid-forward, dynamic. The Electro-Harmonix Cock Fight leans fuzzy. The Keeley Neutrino V2 leans analog warmth. Current prices: $98.74 vs $152.15.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.47% — somewhat different
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Genres both listings are associated with.- Funk
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Derived from overlapping tonal signals across both listings.- mid-forward
- dynamic
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$98.74via Reverb
$152.15via Reverb
The Electro-Harmonix Cock Fight is a cocked talking wah and fuzz pedal that combines two expressive filters with a built in fuzz. A CRY mode provides a traditional wah filter while a TALK mode uses a formant filter for vowel like, voice box sounds, and a knob sets the cocked filter position for that fixed, parked wah tone without a treadle. The onboard fuzz can be placed before or after the filter, or removed entirely, for added grind and growl. From funky parked wah rhythm to vocal, talking textures and fuzzed out leads, it is compact and characterful. It suits funk, rock, psychedelic and experimental players who want fixed wah, talk box style tones and fuzz in one small pedal.
The Keeley Neutrino V2 is a compact, all-analog opto-coupler envelope filter and auto-wah that creates a touch-sensitive wah sound from your pick attack. Hand-selected opto-couplers, described as higher grade than those in vintage originals, give it a smooth, vowel-like, vocal tone. It offers three filter ranges, two sweep directions, two frequency-center ranges, and a Peak control for shaping resonance, with true bypass to avoid tone suck. It suits funk, fusion, and expressive playing where dynamic filter movement adds vocal character to lines. Simple to dial in for a satisfying auto-wah, it is a small, focused envelope filter, though some players find its output can sound thinner than they expect at certain settings.
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Genres this gear is documented as being used in.- Experimental
- Rock
- fuzzy
- analog warmth