Electro-Harmonix Cock Fight vs Electro-Harmonix Cock Fight Plus
The Electro-Harmonix Cock Fight and the Electro-Harmonix Cock Fight Plus are both pedals sharing fuzzy, dynamic. The Electro-Harmonix Cock Fight leans mid-forward. Current prices: $95.11 vs $132.30.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.48% — somewhat different
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Genres both listings are associated with.- Experimental
- Rock
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Derived from overlapping tonal signals across both listings.- fuzzy
- dynamic
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$95.11via Reverb
$132.30via Reverb
The Electro-Harmonix Cock Fight is a cocked talking wah and fuzz pedal that combines two expressive filters with a built in fuzz. A CRY mode provides a traditional wah filter while a TALK mode uses a formant filter for vowel like, voice box sounds, and a knob sets the cocked filter position for that fixed, parked wah tone without a treadle. The onboard fuzz can be placed before or after the filter, or removed entirely, for added grind and growl. From funky parked wah rhythm to vocal, talking textures and fuzzed out leads, it is compact and characterful. It suits funk, rock, psychedelic and experimental players who want fixed wah, talk box style tones and fuzz in one small pedal.
The Electro-Harmonix Cock Fight Plus is a cocked talking wah and fuzz pedal that builds on the original Cock Fight with a rugged, lightweight design and a traditional rack-and-pinion treadle mechanism. It contains two expressive filters: a traditional wah filter and a formant filter for vowel-like talking effects, plus a lively fuzz section that can be placed before or after the filter or removed entirely. As a wah it is smooth and even with a sweet quack reminiscent of a classic Cry Baby, cleaner in the treble than many budget rivals, and adding fuzz exaggerates the effect with more bottom end and saturated gain. Routing the fuzz after the filter gives classic rock tones, while placing it before yields synth-like textures. It suits rock and experimental players wanting wah, talking filter, and fuzz in one unit.
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Genres this gear is documented as being used in.- Funk
- Classic Rock
- mid-forward