Electro-Harmonix Eddy Vibrato/Chorus vs Walrus Audio Lillian Multi-Stage Analog Phaser

The Electro-Harmonix Eddy Vibrato/Chorus and the Walrus Audio Lillian Multi-Stage Analog Phaser are both pedals sharing modulated, lush, warm. The Electro-Harmonix Eddy Vibrato/Chorus leans transparent. The Walrus Audio Lillian Multi-Stage Analog Phaser leans mid-forward. Current prices: $96.99 vs $219.95.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

36% — somewhat different

Shared genres
citedGenres both listings are associated with.
  • Experimental
  • Ambient
Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • modulated
  • lush
  • warm
  • low gain
  • shimmer
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
0%
Price

$96.99via Reverb

$219.95via Reverb

Description

The Electro-Harmonix Eddy is an analog vibrato and chorus pedal that pairs lush, vintage voiced modulation with modern expressive control. Vibrato gives a pure modulated pitch wobble while chorus blends the dry signal for a rich doubling shimmer, and the Eddy adds envelope and expression pedal control over the rate and depth of the modulation for dynamic, playable movement. From subtle, warm chorus thickening to deep, seasick vibrato and touch responsive swells, it covers a wide modulation range. It suits players across clean rhythm, indie, surf, ambient and experimental styles who want warm analog chorus and vibrato with the expressive twist of envelope and expression control in an affordable pedal.

The Walrus Audio Lillian is a true-bypass, all-analog multi-stage phaser offering a wide array of classic and modern phaser tones. Controls for Rate, Width, and Feedback shape the sweep, and a D-P-V blend selects between four-stage and six-stage phasing voicings for everything from subtle, watery movement to deep, resonant, vocal sweeps. The all-analog signal path gives warm, musical phasing reminiscent of revered vintage units, and the Feedback control adds resonance and intensity for more pronounced, liquid effects. Versatile and easy to dial, it covers gentle shimmer through lush, swirling modulation. It suits players wanting warm, flexible analog phaser tones, from understated rhythm animation to dramatic resonant sweeps, across rock, funk, ambient, and classic styles in a compact, well-built pedal.

Genres
citedGenres this gear is documented as being used in.
  • Indie
  • Rock
  • Funk
Tonal lean
  • transparent
  • mid-forward

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