Electro-Harmonix Nano Q-Tron vs Subdecay Proteus MKII Sample
The Electro-Harmonix Nano Q-Tron and the Subdecay Proteus MKII Sample are both pedals sharing mid-forward, low gain. The Electro-Harmonix Nano Q-Tron leans dynamic and analog warmth. The Subdecay Proteus MKII Sample leans modulated.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.40% — somewhat different
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Genres both listings are associated with.- Funk
- Experimental
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Derived from overlapping tonal signals across both listings.- mid-forward
- low gain
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$97.74via Reverb
The Electro-Harmonix Nano Q-Tron is a compact analog envelope filter descended from the original Mu-Tron III design. Playing dynamics control the filter: the harder the pick attack, the wider the frequency sweep, creating an auto-wah response. Controls include Drive (sensitivity), Q (resonance), and a three-position Range switch (low, mid, high frequency band), plus a filter mode switch selecting Low Pass, Band Pass, or High Pass. True bypass.
The Subdecay Proteus MKII is an envelope and sample/hold filter pedal from Subdecay of Oregon, built around an all-analogue OTA filter core similar to vintage Maestro units with digital control for tap tempo and mode switching. In envelope mode it tracks pick attack for classic vocal, quacking auto-wah sweeps; in sample/hold mode it steps the filter to random pitches for stuttering, bubbling, unpredictable synth-like textures locked to tap tempo. The resonance control moves the voice from subtle and rounded through to greasy, gritty, sharply peaked synth tones, and an external switch selects low-pass for a fat, sweeping character or band-pass for a thinner, more vocal and nasal response. It suits players after funk-flavoured filter movement as well as generative, rhythmic and experimental modulation textures.
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Genres this gear is documented as being used in.- Country
- Rock
- dynamic
- analog warmth
- modulated