Electronic Audio Experiments Longsword Eastside Exclusive Mono Camo vs Electronic Audio Experiments Longsword V4.5

The Electronic Audio Experiments Longsword Eastside Exclusive Mono Camo and the Electronic Audio Experiments Longsword V4.5 are both pedals sharing mid-forward, bright, clean boost. Current prices: $272.99 vs $249.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

68% — moderately similar

Shared genres
citedGenres both listings are associated with.
  • Indie Rock
  • Electronic
  • Metal
Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • mid-forward
  • bright
  • clean boost
  • op-amp
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
17%
Price

$272.99via Reverb

$249via Reverb

Description

The Electronic Audio Experiments Longsword Eastside Exclusive Mono Camo is a retailer-exclusive colorway of the standard Longsword V4.5, sold through Eastside Music Supply in White, Grey, and Black camo finishes at the same price point as the standard-finish pedal. The underlying circuit is identical to the V4.5: the same op-amp-based cascaded-gain overdrive spanning clean boost to wall-of-sound distortion, shelving Bass/Treble, sweepable active Mid EQ, and broad frequency response suited to guitar, baritone, and bass. The edition exists purely as a cosmetic variant for collectors and Eastside customers wanting a distinctive finish.

The Electronic Audio Experiments Longsword V4.5 is an op-amp-based cascaded-gain overdrive spanning clean boost through wall-of-sound distortion, with shelving Bass and Treble controls plus a sweepable active Mid EQ, built with a broad frequency response suited to guitar, baritone guitar, and bass. The V4.5 hardware revision introduced a new enclosure and mechanical format, added over-voltage and ESD protection circuitry, and shifted the Low/High crossover point by roughly 500Hz to reduce interactivity between the EQ controls, representing the current mainline version of the pedal.

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