Friedman BE-OD Deluxe vs Suhr Riot Mini Black Edition
The Friedman BE-OD Deluxe and the Suhr Riot Mini Black Edition are both pedals sharing high gain, mid-forward, transparent. The Friedman BE-OD Deluxe leans smooth and full. The Suhr Riot Mini Black Edition leans aggressive and tight. Current prices: $229.49 vs $169.
cited
Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.26% — somewhat different
cited
Genres both listings are associated with.- Metal
- Rock
- Hard Rock
cited
Derived from overlapping tonal signals across both listings.- high gain
- mid-forward
- transparent
Friedman BE-OD Deluxe
Friedman · pedal
Suhr Riot Mini Black Edition
Suhr · pedal
cited
Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$229.49via Reverb
$169via Reverb
The Friedman BE-OD Deluxe is a dual-channel high-gain overdrive derived from Dave Friedman's own BE-100 amplifier voicing, giving each channel independent Drive, Level, and a dedicated 3-band EQ for full tonal shaping. Channel 1 covers medium-gain territory from a soft, bluesy breakup to a hearty classic-rock crunch, while Channel 2 pushes into higher-gain hard rock distortion up to a thick, saturated lead tone. The two independently switchable channels let players jump between rhythm and lead voicings at a single stomp. It suits rock and metal players wanting amp-like, Friedman-voiced high-gain tones with real per-channel EQ control.
The Suhr Riot is a high-gain distortion pedal delivering tight, smooth, focused distortion with bass that stays controlled rather than flabby, inspired by the feel of a cranked 100-watt tube amp. Its three-position Voice switch reshapes the core EQ character between a Classic vintage-style voicing, a Modern full-bodied voicing, and a Scooped-mid voicing, giving a wide spread from mid-forward crunch to scooped, aggressive high-gain tones. Pushed fully, the Distortion control delivers glowing, touch-sensitive high-gain amp tones rich with sustain and harmonics, while lower settings clean up into a crunchy, in-your-face rhythm tone that sits well in a mix. It suits rock and metal players wanting tight, articulate high-gain distortion with real tonal range from the Voice switch alone.
cited
Genres this gear is documented as being used in.- Black Metal
- Blues Rock
- Classic Rock
- smooth
- full
- saturated
- compressed
- aggressive
- tight