Ibanez AD9 Analog Delay Reissue vs JAM Pedals Llama Xtreme
The Ibanez AD9 Analog Delay Reissue and the JAM Pedals Llama Xtreme are both pedals. The Ibanez AD9 Analog Delay Reissue leans warm and slapback. The JAM Pedals Llama Xtreme leans analog warmth and modulated.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.43% — somewhat different
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Genres both listings are associated with.- Alternative Rock
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.The Ibanez AD9 Analog Delay Reissue is a modern reissue of the acclaimed 1981 Ibanez AD9 from the classic 9-series pedal line, delivering warm bucket-brigade BBD analog delay with naturally dark, slightly degraded repeats characteristic of vintage analog delay circuits. The original AD9 earned a strong reputation for warm, musical repeats with natural high-frequency rolloff in slapback to medium delay times. The reissue restores the original circuit with Delay Time switch (short/long), Repeats, and Mix controls at Ibanez quality.
The JAM Pedals Delay Llama XTREME is a hybrid analog/digital delay built around three MN3205 BBD chips for up to 800 milliseconds of warm analog delay time, with four onboard presets, tap tempo with subdivisions, a hold function, kill-dry, and switchable trails or true bypass. Beyond standard delay, it adds four XTREME modes discovered while experimenting with delay time: a Vibrato mode with sine-wave LFO depth and speed control, a Tape-Age mode that emulates the gentle random pitch warble of aging tape-echo machines, and a Pitch-Shift mode offering five groups of pitch-shifted intervals across five playback patterns, the last of which functions as a five-step sequencer. Despite its depth, the controls stay accessible on the surface. It suits players wanting a genuinely deep analog delay platform that goes well beyond simple echo into tape-warble and pitch-shifted sequencing territory.
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Genres this gear is documented as being used in.- Blues
- Classic Rock
- warm
- slapback
- analog warmth
- modulated
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Occasions this gear suits — judged per model, or derived from its wattage, connectivity and category.- Live
- Studio
- Live
- Studio