Ibanez Jemini vs MXR Eric Gales Raw Dawg
The Ibanez Jemini and the MXR Eric Gales Raw Dawg are both pedals. The MXR Eric Gales Raw Dawg leans high gain and mid-forward.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.31% — somewhat different
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Genres both listings are associated with.- Metal
Ibanez Jemini
Ibanez · pedal
MXR Eric Gales Raw Dawg
MXR · pedal
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$79.99via Reverb
The Ibanez Jemini Distortion is a Steve Vai signature dual-circuit pedal combining two independently voiced sides: a green overdrive channel inspired by a Keeley-modded Tube Screamer, tonally in the neighborhood of a TS9 but smoother and less aggressive, and a red distortion channel inspired by a Keeley-modded Boss DS-1, delivering a tighter, more in-your-face, solid distortion tone Vai used before designing this pedal. Each side has its own Drive, Tone, and Level controls, letting players blend or switch between a smoother overdrive character and a more cutting, focused distortion voice. It suits rock and metal players wanting two distinct, boutique-mod-inspired gain flavors in one pedal.
The MXR Raw Dawg, designed in collaboration with Eric Gales, is a custom overdrive circuit based on a classic OD design but re-voiced with a more balanced midrange and boosted gain range for a sweeter, more organic sound even when the drive is maxed out, avoiding the harsher, boxier character some classic OD circuits can develop at high gain. Its simple three-knob Output, Tone, and Drive layout keeps it easy to dial in, and true bypass preserves tone when off. It suits players wanting a grittier, more gain-flexible take on a classic overdrive circuit, from tasteful crunch to fiery, saturated lead tones.
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Genres this gear is documented as being used in.- Rock
- high gain
- mid-forward
- tight
- transparent