Jackson Audio Bloom EQ Boost Compression vs Mad Professor Forest Green Compressor
The Jackson Audio Bloom EQ Boost Compression and the Mad Professor Forest Green Compressor are both pedals sharing transparent, low gain. The Jackson Audio Bloom EQ Boost Compression leans dynamic. The Mad Professor Forest Green Compressor leans compressed and smooth.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.49% — somewhat different
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Genres both listings are associated with.- Funk
- Country
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Derived from overlapping tonal signals across both listings.- transparent
- low gain
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$202.74via Reverb
The Jackson Audio Bloom is a studio-grade optical compressor, active EQ, and clean boost in one compact boutique pedal. Its optical limiting circuit, inspired by vintage vacuum-tube compressors, is prized for transparency, adding a gentle sweetening and organic glow rather than obvious coloration. The active EQ shapes tone effectively and is often left on permanently, while the transparent boost adds subtle grit and pushes downstream overdrive pedals well. It suits players who want always-on compression and tone polish for clean funk, country picking, worship, and studio recording without squashing dynamics. Built in a rugged stainless steel enclosure, it ranges from subtle leveling to aggressive squeeze depending on settings.
The Mad Professor Forest Green Compressor is a boutique compressor and sustainer prized for clear, uncolored tone and a wide range of compression from nearly inaudible to obvious squeeze. It offers both compressor and sustain voicings, with Sustain mode delivering dynamic, open, touch-sensitive response and long sustain that preserves pick attack, making it suitable even for blues and slide playing. A special Tone control fine-tunes the compressed sound: counter-clockwise gives full-range compression ideal for bass, noon stays most transparent, and clockwise adds brightness with less bottom end. The result is smooth, clean compression that retains the guitar's natural character while leveling dynamics and extending sustain. It suits players wanting transparent, musical compression across clean funk, country, blues, and bass.
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Genres this gear is documented as being used in.- Blues
- dynamic
- compressed
- smooth