Jackson Audio Bloom V2 Compressor/EQ vs MXR Custom Shop CSP028 Vintage Dyna Comp
The Jackson Audio Bloom V2 Compressor/EQ and the MXR Custom Shop CSP028 Vintage Dyna Comp are both pedals sharing transparent, sustaining. The Jackson Audio Bloom V2 Compressor/EQ leans compressed.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.47% — somewhat different
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Genres both listings are associated with.- Funk
- Country
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Derived from overlapping tonal signals across both listings.- transparent
- sustaining
MXR Custom Shop CSP028 Vintage Dyna Comp
Unknown brand · pedal
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$329via Reverb
The Jackson Audio Bloom V2 is a boutique optical compressor, EQ, and clean boost expanded with six studio-grade compression modes and full MIDI integration. Built around an optical limiting circuit inspired by vintage tube compressors, it stays transparent, adding a rounded organic glow and sustain rather than obvious squash. The active EQ shapes tone effectively and the transparent boost adds light grit while pushing downstream overdrives. The six modes range from gentle always-on leveling to aggressive pronounced compression, making it flexible for clean funk, country, worship, ambient, and studio work. MIDI control allows preset recall in larger rigs. It ships in a rugged stainless steel enclosure.
The MXR Custom Shop CSP028 '76 Vintage Dyna Comp is a faithful recreation of the original 1976 Dyna Comp compressor, built around the same CA3080 integrated circuit for quiet operation and relatively transparent, dynamic compression. It thickens and evens out the guitar signal, raising quiet notes and leveling loud peaks into a rich, full-bodied sustain, with a note attack that can snap forward with a pronounced pick transient while still sounding natural rather than clamped-down. Pushed hard, it produces a squishy, almost backward-sounding swell as the compressor's gain rushes in after the initial attack. It is closely associated with the slashing, squashed funk-rock tone of Adrian Belew and Andy Summers, and also suits huge, sustained clean tones in the style of David Gilmour.
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Genres this gear is documented as being used in.- Ambient
- Classic Rock
- Metal
- Rock
- compressed