Jackson Audio Bloom V2 Compressor/EQ vs PRS Mary-Cries Compressor
The Jackson Audio Bloom V2 Compressor/EQ and the PRS Mary-Cries Compressor are both pedals sharing transparent, sustaining, clean boost. The Jackson Audio Bloom V2 Compressor/EQ leans compressed. The PRS Mary-Cries Compressor leans dynamic and smooth.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.49% — somewhat different
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Genres both listings are associated with.- Country
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Derived from overlapping tonal signals across both listings.- transparent
- sustaining
- clean boost
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$329via Reverb
The Jackson Audio Bloom V2 is a boutique optical compressor, EQ, and clean boost expanded with six studio-grade compression modes and full MIDI integration. Built around an optical limiting circuit inspired by vintage tube compressors, it stays transparent, adding a rounded organic glow and sustain rather than obvious squash. The active EQ shapes tone effectively and the transparent boost adds light grit while pushing downstream overdrives. The six modes range from gentle always-on leveling to aggressive pronounced compression, making it flexible for clean funk, country, worship, ambient, and studio work. MIDI control allows preset recall in larger rigs. It ships in a rugged stainless steel enclosure.
The PRS Mary Cries is an optical compressor pedal based on one of the most revered optical compressor circuits, designed to thicken tone, rein in signal peaks, improve sustain and add an organic boost while preserving clarity and definition. Its optical compression is smooth and responsive, sounding natural even at heavy settings and staying largely transparent rather than adding the obvious squish of many compressors. A simple two-knob layout of Compression and Output Gain makes it fast to dial in, even mid-song, and it works as a compressor, a clean boost, or both at once. Praised as exceptionally quiet and musical, it is made in the USA from high-quality components and suits nuanced lead playing, clean rhythm and always-on tone shaping.
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Genres this gear is documented as being used in.- Funk
- Ambient
- Blues
- compressed
- dynamic
- smooth