JAM Pedals Llama Xtreme vs Meris LVX Modular Delay System

The JAM Pedals Llama Xtreme and the Meris LVX Modular Delay System are both pedals. The JAM Pedals Llama Xtreme leans analog warmth and modulated. The Meris LVX Modular Delay System leans pristine.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

38% — somewhat different

Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
0%
Price
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$599via Reverb

Description

The JAM Pedals Delay Llama XTREME is a hybrid analog/digital delay built around three MN3205 BBD chips for up to 800 milliseconds of warm analog delay time, with four onboard presets, tap tempo with subdivisions, a hold function, kill-dry, and switchable trails or true bypass. Beyond standard delay, it adds four XTREME modes discovered while experimenting with delay time: a Vibrato mode with sine-wave LFO depth and speed control, a Tape-Age mode that emulates the gentle random pitch warble of aging tape-echo machines, and a Pitch-Shift mode offering five groups of pitch-shifted intervals across five playback patterns, the last of which functions as a five-step sequencer. Despite its depth, the controls stay accessible on the surface. It suits players wanting a genuinely deep analog delay platform that goes well beyond simple echo into tape-warble and pitch-shifted sequencing territory.

The Meris LVX 10th Anniversary Edition is a limited-run colorway of the standard LVX Modular Delay System, finished in black to mark Meris's tenth anniversary, while retaining the exact same hardware: two independent delay lines up to 2540ms each, six delay structures (Standard, MultiTap, Multi Filter, Poly, Reverse, Series), three delay types (digital, BBD, Magnetic tape), and the always-available 60-second stereo looper. The edition exists as a collectible finish tied to the company milestone rather than a functional or circuit revision.

Genres
citedGenres this gear is documented as being used in.
  • Alternative Rock
  • Ambient
  • Experimental
  • Post-Rock
Tonal lean
  • analog warmth
  • modulated
  • pristine
Good for
citedOccasions this gear suits — judged per model, or derived from its wattage, connectivity and category.
  • Live
  • Studio
  • Live
  • Silent Stage
  • Studio
  • Worship

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