JHS Pedals JHS Muffuletta vs SONICAKE Fazy Cream
The JHS Pedals JHS Muffuletta and the SONICAKE Fazy Cream are both pedals sharing sustaining, full. The JHS Pedals JHS Muffuletta leans smooth and dark. The SONICAKE Fazy Cream leans fuzzy. Current prices: $229 vs $39.98.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.50% — moderately similar
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Derived from overlapping tonal signals across both listings.- sustaining
- full
SONICAKE Fazy Cream
Sonicake · pedal
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$229via Reverb
$39.98via Reverb
The JHS Muffuletta is a six-in-one Big Muff style fuzz that houses faithful recreations of five classic Muff circuits plus an original JHS voicing, selectable with a rotary switch and sharing Volume, Tone, and Sustain controls. Its modes cover the 1973 Ram's Head, dark with less gain and beloved of David Gilmour and J Mascis, the aggressive Triangle with a rougher edge and harsher attack, the classic Pi, the brighter, more midrange-forward Civil War with less gain, the Russian with less clarity and low end for a garage sound, and the JHS Original, a more powerful, less compressed take with a haunting midrange. This makes it a definitive Big Muff reference, letting players compare and use the major Muff variants from one box. It suits psychedelic, stoner, doom, shoegaze, grunge, and lead-focused players wanting thick, creamy, sustaining fuzz with the flavor of multiple eras.
The Sonicake Fazy Cream is a very affordable micro fuzz built on a low-noise Muff-style circuit that reviewers consistently compare to the Russian Big Muff. It covers a wide range: with the Fuzz control rolled all the way down it behaves as a warm, slightly broken-up overdrive, enough to add raunch to a clean amp; around 9-10 o'clock it lands in genuine vintage Muff territory with thick, woolly sustain; past noon it turns hardcore, aggressive and distortion-like. The Tone knob is unusually broad, sweeping from dark and brooding to a cutting, slicing top end without becoming shrill. It is not a subtle pedal, but for psychedelic, proto-metal, stoner and modern high-gain fuzz it delivers a lot for the money and the board space. True bypass.
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Genres this gear is documented as being used in.- Shoegaze
- Grunge
- Rock
- Alternative Rock
- Blues
- Metal
- Hardcore
- smooth
- dark
- scooped
- fuzzy