JHS Haunting Mids vs Wampler Tumnus Deluxe
The JHS Haunting Mids and the Wampler Tumnus Deluxe are both pedals sharing mid-forward, bright, transparent. The JHS Haunting Mids leans tight. The Wampler Tumnus Deluxe leans edge of breakup and crunchy.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.46% — somewhat different
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Derived from overlapping tonal signals across both listings.- mid-forward
- bright
- transparent
JHS Haunting Mids
JHS Pedals · pedal
Wampler Tumnus Deluxe
Wampler · pedal
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$189.73via Reverb
JHS Haunting Mids is a midrange-focused boost or EQ pedal tied to Paul Gilbert, following the same tone-shaping niche as other players' signature or collaboration mid-boost pedals designed to push a guitar's midrange forward for better cut in a dense band mix. The name suggests a mids boost distinctive enough to stand out from a typical flat or subtle midrange bump, likely voiced for lead tones that need to punch through rather than blend into the background. As with several artist-tied JHS releases, it's built around a specific player's stated tonal needs rather than as a general-purpose utility EQ.
The Wampler Tumnus Deluxe expands the compact Tumnus into a fuller-featured Klon-style overdrive with a three-band EQ and a switch that spans nearly transparent boost to serious overdrive. It keeps the string-to-string clarity, high-headroom output, and amp-like breakup of the Klon voicing, staying transparent as a boost and warm and organic in its crunch, with natural compression and breakup that feels like an amp rather than a pedal. The added Bass, Mid, and Treble controls work as cut and boost to tailor the pedal to any amp, with warm lows, an identifiable midrange, and the right amount of top-end sparkle. It preserves the guitar's natural tone and dynamics, cleaning up with the volume knob, and suits blues, rock, and country. Its only quirk is that pushing the mids past about two o'clock can produce a cocked-wah character.
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Genres this gear is documented as being used in.- Alternative Rock
- Blues
- Blues Rock
- Country
- Rock
- tight
- edge of breakup
- crunchy
- dynamic