JHS Unicorn vs Source Audio Hot Hand Phaser/Flanger

The JHS Unicorn and the Source Audio Hot Hand Phaser/Flanger are both pedals sharing modulated, transparent. The Source Audio Hot Hand Phaser/Flanger leans dynamic.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

33% — somewhat different

Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • modulated
  • transparent
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
0%
Description

The JHS Unicorn V2 is an all-analog, photocell-based UniVibe pedal with tap tempo, offering the rotating-speaker character of the classic Uni-Vibe with modern conveniences. It is among the first fully analog photocell vibe pedals to include tap tempo as standard. Controls include Volume, Speed, Depth, and a Ratio control for tap-tempo subdivisions, plus a Vibrato/Chorus switch. Compatible with optional external tap control and expression pedal for rate control. Made in Kansas City, Missouri.

The Source Audio Hot Hand Phaser/Flanger is a motion-controllable modulation pedal packing seven phaser and seven flanger effects, each shapeable by four selectable modulation sources for up to 56 sounds. Beyond a standard LFO, it can be driven by an envelope follower, a sequencer, or the wireless Hot Hand motion sensor ring, which lets players control the modulation in real time with subtle hand movements. The phaser voices range into warm, swirling Uni-Vibe-like territory, especially with clean tones, while the flanger spans subtle sweeps to wild, crazy vibrato. This expressive control makes it a creative tool for funk, psychedelic, and experimental players who want hands-on or automated modulation, offering far more depth and interactivity than a typical fixed-LFO phaser or flanger.

Genres
citedGenres this gear is documented as being used in.
  • Classic Rock
  • Blues
  • Alternative Rock
  • Experimental
  • Funk
Tonal lean
—
  • dynamic

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