Keeley Compressor Good Ol'Edition vs PRS Mary-Cries Compressor
The Keeley Compressor Good Ol'Edition and the PRS Mary-Cries Compressor are both pedals sharing transparent, smooth. The Keeley Compressor Good Ol'Edition leans compressed. The PRS Mary-Cries Compressor leans dynamic.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.53% — moderately similar
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Genres both listings are associated with.- Country
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Derived from overlapping tonal signals across both listings.- transparent
- smooth
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$149.99via Reverb
The Keeley Compressor Good Ol' Edition is a take on Keeley's original studio-quality compressor, the pedal that helped establish the brand and became a staple on countless professional pedalboards. It provides smooth, transparent optical-style compression that adds sustain and evens out picking attack without obvious pumping or noticeable tone coloration. The classic two-knob layout keeps it simple and musical, ideal for clean funk strumming, country picking, and always-on dynamic control. It preserves the natural feel of both single-coil and humbucker guitars while smoothing transients and extending note bloom. Long regarded as a benchmark studio compressor in stompbox form, it suits players who value transparency, low noise, and dependable, set-and-forget compression.
The PRS Mary Cries is an optical compressor pedal based on one of the most revered optical compressor circuits, designed to thicken tone, rein in signal peaks, improve sustain and add an organic boost while preserving clarity and definition. Its optical compression is smooth and responsive, sounding natural even at heavy settings and staying largely transparent rather than adding the obvious squish of many compressors. A simple two-knob layout of Compression and Output Gain makes it fast to dial in, even mid-song, and it works as a compressor, a clean boost, or both at once. Praised as exceptionally quiet and musical, it is made in the USA from high-quality components and suits nuanced lead playing, clean rhythm and always-on tone shaping.
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Genres this gear is documented as being used in.- Funk
- Blues
- compressed
- dynamic