Keeley Neutrino V2 vs Electro-Harmonix Cock Fight Plus
The Keeley Neutrino V2 and the Electro-Harmonix Cock Fight Plus are both pedals sharing mid-forward, dynamic, glassy. The Keeley Neutrino V2 leans analog warmth. The Electro-Harmonix Cock Fight Plus leans fuzzy. Current prices: $152.15 vs $132.30.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.49% — somewhat different
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Derived from overlapping tonal signals across both listings.- mid-forward
- dynamic
- glassy
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$152.15via Reverb
$132.30via Reverb
The Keeley Neutrino V2 is a compact, all-analog opto-coupler envelope filter and auto-wah that creates a touch-sensitive wah sound from your pick attack. Hand-selected opto-couplers, described as higher grade than those in vintage originals, give it a smooth, vowel-like, vocal tone. It offers three filter ranges, two sweep directions, two frequency-center ranges, and a Peak control for shaping resonance, with true bypass to avoid tone suck. It suits funk, fusion, and expressive playing where dynamic filter movement adds vocal character to lines. Simple to dial in for a satisfying auto-wah, it is a small, focused envelope filter, though some players find its output can sound thinner than they expect at certain settings.
The Electro-Harmonix Cock Fight Plus is a cocked talking wah and fuzz pedal that builds on the original Cock Fight with a rugged, lightweight design and a traditional rack-and-pinion treadle mechanism. It contains two expressive filters: a traditional wah filter and a formant filter for vowel-like talking effects, plus a lively fuzz section that can be placed before or after the filter or removed entirely. As a wah it is smooth and even with a sweet quack reminiscent of a classic Cry Baby, cleaner in the treble than many budget rivals, and adding fuzz exaggerates the effect with more bottom end and saturated gain. Routing the fuzz after the filter gives classic rock tones, while placing it before yields synth-like textures. It suits rock and experimental players wanting wah, talking filter, and fuzz in one unit.
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Genres this gear is documented as being used in.- Funk
- Classic Rock
- Experimental
- Rock
- analog warmth
- fuzzy