Keeley Neutrino V2 vs Spaceman Artemis Modulated Filter
The Keeley Neutrino V2 and the Spaceman Artemis Modulated Filter are both pedals sharing mid-forward, dynamic. The Keeley Neutrino V2 leans analog warmth. The Spaceman Artemis Modulated Filter leans modulated.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.35% — somewhat different
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Derived from overlapping tonal signals across both listings.- mid-forward
- dynamic
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$152.15via Reverb
The Keeley Neutrino V2 is a compact, all-analog opto-coupler envelope filter and auto-wah that creates a touch-sensitive wah sound from your pick attack. Hand-selected opto-couplers, described as higher grade than those in vintage originals, give it a smooth, vowel-like, vocal tone. It offers three filter ranges, two sweep directions, two frequency-center ranges, and a Peak control for shaping resonance, with true bypass to avoid tone suck. It suits funk, fusion, and expressive playing where dynamic filter movement adds vocal character to lines. Simple to dial in for a satisfying auto-wah, it is a small, focused envelope filter, though some players find its output can sound thinner than they expect at certain settings.
The Spaceman Artemis is a hand-wired boutique modulated filter built around a two-pole state-variable design with simultaneous high-pass, band-pass and low-pass outputs. Unlike most filter pedals it does not force a choice between responses: a mixer section blends them, so combining high-pass and low-pass produces notch filtering, and modulating that notch with the LFO yields convincing phaser and vibrato voices. With up to 10dB of boost and infinite cut per band it offers more tone-shaping range than many dedicated EQs. A seven-mode modulation bus drives the filter from conventional sweeps to outright bizarre animation, and envelope control sweeps the filter in either direction for vocal, quacking, funky auto-wah movement or downward synth-like swells. Built in Portland, Oregon with true-bypass relay switching and soft-touch footswitches.
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Genres this gear is documented as being used in.- Funk
- funk
- experimental
- soul
- analog warmth
- modulated