Laney Richter vs Phil Jones Compact 2 (C2 Black)
The Laney Richter and the Phil Jones Compact 2 (C2 Black) are both amplifiers.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.46% — somewhat different
Laney Richter
Laney · amplifier
Phil Jones Compact 2 (C2 Black)
Phil Jones · amplifier
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$334.45via Reverb
The Laney RBW100 is an earlier-generation 65-watt bass combo from Laney's Richter lineup, produced roughly 1999-2003, built in a carpet-covered wedge-shaped cabinet that could be angled for stage monitoring, the same kickback format later carried forward into the RB3. It features active and passive inputs, gain control, an onboard compressor, parametric frequency and gain controls, a treble control, headphone output, and DI input. As the predecessor design in the line, it established the wedge-format bass combo concept that Laney continued to refine in subsequent Richter series releases.
The Phil Jones Compact 2 (C2 Black) shares the same 2x5-inch driver configuration and compact cabinet design as other C2 finishes, delivering Phil Jones's characteristic full, articulate bass response from a small footprint. The Black finish offers a more understated, versatile cosmetic option compared to the Red C2 variant, while retaining identical acoustic performance and multi-driver engineering.
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Genres this gear is documented as being used in.- Rock
- Jazz
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Occasions this gear suits — judged per model, or derived from its wattage, connectivity and category.- Live
- Practice
- Silent Recording