Lazy Bear Effects High Pass Filter vs Electro-Harmonix Cock Fight Plus
The Lazy Bear Effects High Pass Filter and the Electro-Harmonix Cock Fight Plus are both pedals sharing fuzzy. The Lazy Bear Effects High Pass Filter leans modulated. The Electro-Harmonix Cock Fight Plus leans dynamic and mid-forward. Current prices: $92.51 vs $132.30.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.31% — somewhat different
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Derived from overlapping tonal signals across both listings.- fuzzy
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$92.51via Reverb
$132.30via Reverb
The Lazy Bear Effects High Pass Filter is a boutique utility pedal that rolls off low frequencies below a chosen cutoff point, a tool commonly used to tighten up a muddy or bass-heavy signal before it hits a fuzz, overdrive, or amplifier. Rather than adding gain, modulation, or color, its job is subtractive, cleaning up low-end buildup that can make fuzz pedals in particular sound flabby or undefined, especially on bass guitar or baritone-tuned instruments. Boutique high pass filter pedals like this one are a niche but well-understood tool among players fine-tuning how a fuzz or drive circuit responds to their instrument's specific frequency content.
The Electro-Harmonix Cock Fight Plus is a cocked talking wah and fuzz pedal that builds on the original Cock Fight with a rugged, lightweight design and a traditional rack-and-pinion treadle mechanism. It contains two expressive filters: a traditional wah filter and a formant filter for vowel-like talking effects, plus a lively fuzz section that can be placed before or after the filter or removed entirely. As a wah it is smooth and even with a sweet quack reminiscent of a classic Cry Baby, cleaner in the treble than many budget rivals, and adding fuzz exaggerates the effect with more bottom end and saturated gain. Routing the fuzz after the filter gives classic rock tones, while placing it before yields synth-like textures. It suits rock and experimental players wanting wah, talking filter, and fuzz in one unit.
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Genres this gear is documented as being used in.- experimental
- alternative
- Classic Rock
- Experimental
- Rock
- modulated
- dynamic
- mid-forward