Maestro Agena vs Subdecay Proteus MKII Sample
The Maestro Agena and the Subdecay Proteus MKII Sample are both pedals. The Maestro Agena leans dynamic and transparent. The Subdecay Proteus MKII Sample leans modulated and mid-forward.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.36% — somewhat different
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Genres both listings are associated with.- Funk
Maestro Agena
Maestro · pedal
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$59via Reverb
The Maestro Agena is an all-analog envelope filter, part of Gibson's revived Maestro pedal line, delivering classic auto-wah and funk filter tones with simple, expressive controls. A three-knob layout of Sense, Attack, and Decay shapes how the filter responds to pick dynamics, while a two-position Mode toggle selects between Hi and Lo frequency ranges. Hi mode emphasizes higher frequencies for a crystal-clear attack that punches through a mix, and Lo mode focuses the filter lower for a rounder, deeper quack. It changes the timbre musically without sounding overly affected, and true bypass preserves the dry tone when off. It suits funk, fusion, and players wanting an easy, vintage-flavored envelope filter that does its one job extremely well.
The Subdecay Proteus MKII is an envelope and sample/hold filter pedal from Subdecay of Oregon, built around an all-analogue OTA filter core similar to vintage Maestro units with digital control for tap tempo and mode switching. In envelope mode it tracks pick attack for classic vocal, quacking auto-wah sweeps; in sample/hold mode it steps the filter to random pitches for stuttering, bubbling, unpredictable synth-like textures locked to tap tempo. The resonance control moves the voice from subtle and rounded through to greasy, gritty, sharply peaked synth tones, and an external switch selects low-pass for a fat, sweeping character or band-pass for a thinner, more vocal and nasal response. It suits players after funk-flavoured filter movement as well as generative, rhythmic and experimental modulation textures.
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Genres this gear is documented as being used in.- Soul
- Experimental
- dynamic
- transparent
- modulated
- mid-forward
- gritty
- low gain