Maxon FV10 Fuzz Elements Void vs Menatone None More Black
The Maxon FV10 Fuzz Elements Void and the Menatone None More Black are both pedals sharing full, dark, dynamic. The Maxon FV10 Fuzz Elements Void leans sustaining. The Menatone None More Black leans high gain and saturated. Current prices: $138.59 vs $249.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.34% — somewhat different
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Derived from overlapping tonal signals across both listings.- full
- dark
- dynamic
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$138.59via Reverb
$249via Reverb
The Maxon FV10 Fuzz Elements Void is part of Maxon's Fuzz Elements series, each voiced around a different character. The Void is the dark, open and resonant voice of the set, producing a deep, expansive fuzz with a heavy low end and a scooped, cavernous midrange rather than the midrange-forward bite of a Tube Screamer-derived circuit. It sustains long and stays thick as notes decay, suiting doom, stoner and psychedelic playing where a wide, enveloping fuzz is wanted over a tight one.
The Menatone None More Black is an ultra-high-gain distortion pedal built as a purely discrete circuit with no clipping diodes and no op-amps, giving it an organic, amp-like character that spans 80s hot-rodded-amp tones through modern high-gain metal. Its unusual Suck and Pres controls give deep tonal reach: Suck takes the midrange from scooped-out and gone to thick, vocal, and fat, while Pres governs the top end from smooth to cutting. Gain ranges from vintage hot-rodded-800-style warmth to chaotic, all-out saturation. It suits doom, sludge, and heavy rock players wanting dark, powerful, boutique-quality high-gain distortion with real tonal shaping beyond a simple gain knob.
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Genres this gear is documented as being used in.- Experimental
- Metal
- sustaining
- high gain
- saturated