Morley 20/20 Distortion WAH MTPDW Effetto Distorsione E WAH A vs Radial HotShot ABo
The Morley 20/20 Distortion WAH MTPDW Effetto Distorsione E WAH A and the Radial HotShot ABo are both pedals. The Morley 20/20 Distortion WAH MTPDW Effetto Distorsione E WAH A leans mid-forward and dynamic.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.30% — somewhat different
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$176.53via Reverb
The Morley 20/20 Power Distortion Wah pairs a sweeping wah with a built-in distortion circuit in a compact, pedalboard-friendly enclosure from Morley's 50th-anniversary 20/20 series. It uses Morley's signature electro-optical, switchless design, engaging when you step on the glow-in-the-dark treadle and bypassing when you step off, with no pots to wear out and silent, pop-free operation. The wah and distortion can be used together for thick, aggressive, vocal lead tones or the distortion can run on its own as a dirt box. With a wide frequency sweep and true tone buffer circuitry, it delivers expressive, cutting wah tones for rock and metal lead work. Built like a tank with glow-in-the-dark details, it suits players wanting combined drive and wah in one rugged, gig-ready unit.
The Radial HotShot ABo is a compact, fully passive balanced signal output selector that uses a latching footswitch to route one source to a choice of two destinations. Because it is passive it requires no power, and it is built to Radial's rugged road-ready standard. Common uses include sending a signal to two console channels for separate dry and wet effects routing, diverting a microphone from the PA to monitors or intercom, temporarily muting a signal for coughing or talkback, and one-push talkback mic control. It includes pads to match devices with different signal levels and a ground lift to eliminate hum from ground loops. A reliable utility tool rather than a tonal effect, it suits live performers, engineers, and pedalboard builders needing dependable, transparent AB output switching.
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Genres this gear is documented as being used in.- Metal
- Rock
- Classic Rock
- mid-forward
- dynamic