Morley 20/20 Power Wah vs Morley Wah

The Morley 20/20 Power Wah and the Morley Wah are both pedals sharing mid-forward. The Morley 20/20 Power Wah leans smooth and transparent. The Morley Wah leans dynamic and high gain.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

49% — somewhat different

Shared genres
citedGenres both listings are associated with.
  • Rock
  • Funk
Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • mid-forward
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
0%
Price

$179.99via Reverb

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Description

The Morley 20/20 Power Wah revives one of Morley's classic 1970s wah designs in a compact, pedalboard-friendly enclosure with a 20dB clean boost. Its voice is a vintage, primarily mid-range wah with no muddy or muffled bottom end and only a slightly trebly top, avoiding the honking or growling extremes of some wahs in favor of the smooth, classic Morley sound and a wide sweep. Morley's electro-optical MQ2 custom inductor technology delivers pure tone with minimal noise, the 20/20 buffer circuit prevents tone loss or volume drop, and switchless activation avoids pops. The onboard boost helps the wah and solos cut through a mix. Built like a tank with glow-in-the-dark details, it suits rock, blues, and funk players wanting a pro-level classic wah.

The Morley Wah is a line of optical, switchless wah pedals known for a wide, vocal sweep, a buffered all-electronic design with no scratchy potentiometer, and a rugged, road-ready build. Because it uses an optical sensor rather than a pot, it stays quiet and reliable, and many models switch on automatically when you step on the treadle. Its sweep is broad and expressive, favored by rock and metal players for both rhythmic funk and screaming lead wah, and Mark Tremonti is among its users. It runs well in front of high-gain amps and pairs naturally with aggressive rock tones, offering a bolder, wider voice than many traditional wahs.

Genres
citedGenres this gear is documented as being used in.
  • Blues
  • Electronic
  • Metal
Tonal lean
  • smooth
  • transparent
  • dynamic
  • high gain
  • aggressive

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