MXR Flanger vs Walrus Audio Lillian Multi-Stage Analog Phaser
The MXR Flanger and the Walrus Audio Lillian Multi-Stage Analog Phaser are both pedals sharing low gain, warm, shimmer. The MXR Flanger leans full and analog warmth. The Walrus Audio Lillian Multi-Stage Analog Phaser leans lush and mid-forward.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.35% — somewhat different
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Genres both listings are associated with.- Rock
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Derived from overlapping tonal signals across both listings.- low gain
- warm
- shimmer
- modulated
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$219.39via Reverb
The MXR M117R Flanger is a reissue of the original MXR Flanger from the late 1970s, producing a wide range of modulation effects from subtle chorus-like shimmer to extreme jet-plane sweeps. Its four controls — Speed, Width, Regen, and Manual — allow precise tuning of the flange depth and sweep rate. It is closely associated with the flanged guitar sounds of Eddie Van Halen, particularly on tracks from the late 1970s and early 1980s. The M117R is considered warmer and fuller-sounding than most competing flanger pedals, with a musical, full-spectrum character that reviewers consistently rank above budget alternatives. It suits rock and hard rock guitar rigs.
The Walrus Audio Lillian is a true-bypass, all-analog multi-stage phaser offering a wide array of classic and modern phaser tones. Controls for Rate, Width, and Feedback shape the sweep, and a D-P-V blend selects between four-stage and six-stage phasing voicings for everything from subtle, watery movement to deep, resonant, vocal sweeps. The all-analog signal path gives warm, musical phasing reminiscent of revered vintage units, and the Feedback control adds resonance and intensity for more pronounced, liquid effects. Versatile and easy to dial, it covers gentle shimmer through lush, swirling modulation. It suits players wanting warm, flexible analog phaser tones, from understated rhythm animation to dramatic resonant sweeps, across rock, funk, ambient, and classic styles in a compact, well-built pedal.
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Genres this gear is documented as being used in.- Metal
- Hard Rock
- Alternative Rock
- Experimental
- Ambient
- Funk
- full
- analog warmth
- lush
- mid-forward