Peavey MAX 100 vs Phil Jones BE-17 Bass Engine 70W 1x7 Bass Combo

The Peavey MAX 100 and the Phil Jones BE-17 Bass Engine 70W 1x7 Bass Combo are both amplifiers sharing mid-forward. The Peavey MAX 100 leans full and bright. The Phil Jones BE-17 Bass Engine 70W 1x7 Bass Combo leans transparent and tight.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

44% — somewhat different

Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • mid-forward
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
27%
0%
Description

The Peavey MAX 100 is a lightweight bass combo amp with a single 10-inch speaker delivering 100 watts of solid-state power, weighing around 31 pounds. Like the rest of the MAX series, it includes Gain, Bass, Middle, Treble, and Master controls, a built-in chromatic tuner, overdrive, Contour and Mid-Shift EQ voicing options (250Hz or 600Hz center), a Bright switch, tune/mute, and tweeter defeat. A standout feature is Kosmos-C, Peavey's low-end enhancement circuit designed to add perceived bottom end without overtaxing the smaller 10-inch speaker. It's positioned as the compact, entry-level option in the MAX lineup for practice and smaller gigs.

The Phil Jones Bass BE-17 Bass Engine is a 70-watt bass combo built around a single seven-inch driver, an unusual size that sits between the five-inch drivers used across most of the PJB range and conventional bass speakers. The company's design philosophy favours smaller drivers for their faster transient response and clearer midrange, and the BE-17 applies that in a compact single-driver format aimed at practice, rehearsal and smaller venues. It suits bassists who want the brand's articulate voicing in its most portable form, particularly upright, fretless and acoustic players where clarity matters more than low-end weight.

Genres
citedGenres this gear is documented as being used in.
  • alternative
  • gospel
  • surf rock
  • Rock
  • Jazz
Tonal lean
  • full
  • bright
  • transparent
  • tight
Good for
citedOccasions this gear suits — judged per model, or derived from its wattage, connectivity and category.
  • Live
  • Practice
  • Silent Recording
  • Busking
  • Practice
  • Live

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