Pigtronix Constellator vs Walrus Audio Meraki
The Pigtronix Constellator and the Walrus Audio Meraki are both pedals sharing modulated, analog warmth, slapback. Current prices: $109 vs $599.99.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.60% — moderately similar
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Genres both listings are associated with.- Ambient
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Derived from overlapping tonal signals across both listings.- modulated
- analog warmth
- slapback
- warm
- ambient
Pigtronix Constellator
Pigtronix · pedal
Walrus Audio Meraki
Walrus Audio · pedal
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$109via Reverb
$599.99via Reverb
The Pigtronix Constellator is an all-analog modulated delay capable of up to 600 milliseconds of lush echo, built around classic MN3005 bucket-brigade chips for superior headroom and warm, tape-like saturation when pushed. Beyond clean analog repeats it offers adjustable modulation for chorused, watery delay textures, and a Feel toggle that adjusts several LFO parameters at once to recolor the modulation character. The result is a warm, organic delay with everything from short slapback to longer modulated trails, all in a compact pedalboard-friendly enclosure running on standard 9V power. It suits players wanting genuine analog bucket-brigade warmth with modulation, ideal for vintage-flavored slapback, ambient swells, and chorus-tinged repeats that blend naturally with both clean and driven amp tones.
The Walrus Audio Meraki is a true stereo, all-analog bucket-brigade delay that lets players create syncopated rhythms with independent control over the left and right channels. Each channel has its own Feedback control, and a Mix knob blends wet and dry, while adjustable modulation adds chorus and vibrato movement to the repeats. A Tone control sets a tilt EQ in the delay lines, cutting lows and boosting highs clockwise or the reverse counter-clockwise to shape the warmth of the echoes. The pure analog signal path gives lush, warm, organic repeats with genuine BBD character, and the dual-channel design enables wide stereo and rhythmic ping-pong-style patterns. It suits players wanting warm analog stereo delay, from simple repeats to syncopated dual-channel rhythms and modulated ambient trails, in a richly voiced pedal.
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Genres this gear is documented as being used in.- Classic Rock
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Occasions this gear suits — judged per model, or derived from its wattage, connectivity and category.- Live
- Studio
- Live
- Silent Stage
- Studio
- Worship