Source Audio Soundblox Multiwave Distortion vs ThorpyFX Judge Death Deathbringer Warthog
The Source Audio Soundblox Multiwave Distortion and the ThorpyFX Judge Death Deathbringer Warthog are both pedals sharing transparent. The Source Audio Soundblox Multiwave Distortion leans fuzzy and saturated. The ThorpyFX Judge Death Deathbringer Warthog leans aggressive.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.43% — somewhat different
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Genres both listings are associated with.- Metal
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Derived from overlapping tonal signals across both listings.- transparent
Source Audio Soundblox Multiwave Distortion
Unknown brand · pedal
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$309via Reverb
The Source Audio Soundblox Multiwave Distortion is a digital multi-band distortion pedal that splits the guitar signal into ten separate frequency bands, distorts each independently, and recombines them, producing unusually crisp, clear distortion with sturdy attack and note articulation that stays defined even under heavy saturation, unlike a typical single-stage distortion circuit. Its range covers everything from heavily saturated fuzz to unusual, synth-like textures, and a distinct Foldback algorithm generates a fresh kind of distortion that is noisy yet musical, with both squishy and edgy overtones. Guitarist Adrian Belew has praised it as one of the best distortion pedals ever made. It suits experimental and progressive players wanting genuinely unusual, clear, multi-textured distortion beyond standard fuzz or overdrive.
The ThorpyFX Judge Death Deathbringer Warthog is a limited-edition 2000 AD-themed version of the ThorpyFX Warthog, a wide-range overdrive and distortion pedal. Its voicing sits firmly in the American camp, giving sparkling cleans at low settings and moving through driven tweed-style breakup into heavy distortion, with fuzzy overtones appearing at the extremes of the Calibre and Gain controls. The EQ is flatter and less midrange-focused than most drive pedals, which lets it run cleaner or considerably dirtier than a typical overdrive, and the resulting tone is complex and three-dimensional. It is hand-built to a high standard with Neutrik jacks, WIMA and Panasonic capacitors, a Burr Brown op amp and one-percent metal film resistors.
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Genres this gear is documented as being used in.- Rock
- Jazz
- Experimental
- fuzzy
- saturated
- octave
- aggressive