Strymon Lex V2 vs Warm Audio Jet Phaser
The Strymon Lex V2 and the Warm Audio Jet Phaser are both pedals sharing shimmer, modulated. The Strymon Lex V2 leans bright.
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Blended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.35% — somewhat different
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Derived from overlapping tonal signals across both listings.- shimmer
- modulated
Strymon Lex V2
Strymon · pedal
Warm Audio Jet Phaser
Warm Audio · pedal
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Citation/mention fame — how often this gear is cited across artist rigs and gear discussion.$113.16via Reverb
The Strymon Lex is a rotary speaker simulator that reproduces a complete rotating-speaker system, modeling the low-frequency bass rotor, the rotating treble horn, the tube-driven amplifier, microphone placement, and the complex interactions between them via Strymon's 24-bit SHARC DSP. Controls for Speed, Preamp Drive, Horn Level, and Mic Distance shape the rotary character, with a Volume knob for boost or cut and a Dry knob to balance dry and effected signal, plus fast and slow speeds with realistic ramping. Widely regarded as among the best digital rotary emulations, it captures both the sound and the feel of playing through a real Leslie. It suits blues, rock, jazz, and worship players wanting authentic, expressive rotary swirl from organ-style shimmer to driven, spinning guitar tones.
The Warm Audio Jet Phaser is a recreation of the 1970s Roland AP-7 Jet Phaser, a combined phaser and fuzz circuit. It pairs deep, swirling phase modulation with a hot, searing fuzz, and offers four modes: the second intensifies the swirl and, with resonance raised, gives the searing jet-engine character the original is named for, while modes three and four are mellower, rolling off the upper frequencies so the phaser and fuzz blend into a swirling snarl. At low resonance the phase voice adds subtle animation and shimmer; at high resonance it takes on a rotary-speaker wobble. A Jet control doubles as a solo boost, and holding the Fast/Slow footswitch lets the modulation settle at in-between speeds like a real Leslie.
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Genres this gear is documented as being used in.- Jazz
- Blues
- Rock
- Classic Rock
- bright
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Occasions this gear suits — judged per model, or derived from its wattage, connectivity and category.- Silent Recording
- Silent Stage