TC Electronic Gravy vs Strymon Eventide TriceraChorus

The TC Electronic Gravy and the Strymon Eventide TriceraChorus are both pedals sharing transparent, lush, modulated.

Similarity
citedBlended from circuit-archetype lineage, dynamic feel, tone-signal overlap and tone-vector distance — the tone vector itself is derived from editorial description text, not a measured acoustic signal, so this reflects how similarly the catalog copy describes the two, not a lab measurement. Shown only within a gear class, and only where there's enough evidence to be meaningful.

50% — moderately similar

Shared genres
citedGenres both listings are associated with.
  • Ambient
Shared tone character
citedDerived from overlapping tonal signals across both listings.
  • transparent
  • lush
  • modulated
  • shimmer
Citation fame
citedCitation/mention fame — how often this gear is cited across artist rigs and gear discussion.
0%
0%
Description

The TC Electronic Gravy is a custom Guitar Center version of TC's acclaimed Corona and TriChorus chorus pedals, offering two exclusive effects, tri-chorus and vibrato, custom-tuned for lush modulation. A toggle switches the pedal between chorus, a TonePrint slot, and tremolo, while another footswitch handles on/off. It features stereo in and out, true bypass, analog dry-through for tonal integrity, and TonePrint support for loading custom or artist presets via USB or smartphone. Based on TC's excellent TriChorus, its chorus is rich and clean, with the tri-chorus setting adding deep, three-voice shimmer and the vibrato offering warbly pitch movement. It suits players wanting high-quality, versatile chorus and modulation with stereo width for clean rhythm, ambient layers, and vintage textures.

The Eventide TriceraChorus is a stereo chorus pedal that pairs the lush bucket-brigade-style chorus sounds of the late 1970s and early 1980s with Eventide's signature MicroPitch detuning for deep, swirling, three-dimensional modulation. It offers rich, watery chorus across three voices, customizable detuning for added dimension, and a Swirl parameter that introduces psychedelic flanging, phasing, and Uni-Vibe-style movement and a chewy, phase-shifted throb. With stereo operation and deep control over chorus rate, depth, detune, and swirl, it ranges from classic 80s shimmer to wild, evolving modulation textures. It suits players wanting versatile, high-quality stereo chorus with vintage character and modern depth for clean rhythm, ambient layers, and lush, dimensional tones in rock, pop, and atmospheric styles.

Genres
citedGenres this gear is documented as being used in.
  • Electronic
  • Rock

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