Pedals that stack with the 67Audio Harry Balz

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → high gain)

Into a high headroom tone, Airis Effects SPEC-Defier brings a pull toward high gain that's missing

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

67Audio Harry Balz's dynamic character and HomeBrew Electronics CPR Compressor Retro's compressed voice sit in the same lane rather than fighting each other

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, J. Rockett Archer Ikon brings a pull toward compressed that's missing

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss BF-2 Flanger after 67Audio Harry Balz in the signal chain, clear of 67Audio Harry Balz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep 67Audio Harry Balz's dynamic voice out front: Keeley Halo goes after 67Audio Harry Balz in the signal chain so its ambient voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Echoplex EP-3 after 67Audio Harry Balz in the signal chain, clear of 67Audio Harry Balz's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain