Pedals that stack with the A/DA MP-1

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Put Fjord Fuzz Berserk in front and the mid-forward tone leans further toward fuzzy

Comes earlier in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Wren and Cuff Box of War Small Foot Fuzz layers high gain onto an already mid-forward signal

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR ZW90 Wylde Phase after A/DA MP-1 in the signal chain, clear of A/DA MP-1's own gain stage

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What A/DA MP-1 brings here leans toward mid-forward — that's worth building a pairing around

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay after A/DA MP-1 in the signal chain, clear of A/DA MP-1's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-2 Digital Delay after A/DA MP-1 in the signal chain, clear of A/DA MP-1's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain