Pedals that stack with the Acoustic 270 Amplifier

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)

Into a transparent tone, Black Arts Toneworks LSTR Fuzz brings a pull toward fuzzy that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)

Into a transparent tone, Beetronics Swarm brings a pull toward fuzzy that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)

Beetronics Nectar leans this transparent tone toward fuzzy, which it doesn't make on its own

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss BF-2 Flanger after Acoustic 270 Amplifier in the signal chain, clear of Acoustic 270 Amplifier's own gain stage

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Vox Valvenergy Silk Drive leans toward smooth, and that's a real, usable character to pair with

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Malekko Electro-Harmonix Memory Toy Analog Delay in Acoustic 270 Amplifier's effects loop, clear of Acoustic 270 Amplifier's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Dunlop MXR M299 Carbon Copy Mini's own voicing points at a clean amp's front end, and Acoustic 270 Amplifier delivers it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop