Pedals that stack with the Acoustic NUX Stageman Floor NAP-5

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Stack J. Rockett The Dude on top and a scooped tone tightens toward mid-forward

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Feed a scooped signal into Nobels ODR-1 and it comes out closer to mid-forward

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Acoustic NUX Stageman Floor NAP-5's scooped voice out front: Orange Series Phaser goes after Acoustic NUX Stageman Floor NAP-5 in the signal chain so its mid-forward voice doesn't muddy it

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Run the SP Compressor before the Stageman Floor for subtle, harmonic sparkle before the amp's own scooped acoustic preamp reacts.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Universal Audio Golden Reverberator after Acoustic NUX Stageman Floor NAP-5 in the signal chain, clear of Acoustic NUX Stageman Floor NAP-5's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Wampler Catacombs after Acoustic NUX Stageman Floor NAP-5 in the signal chain, clear of Acoustic NUX Stageman Floor NAP-5's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain