Pedals that stack with the Aguilar Tone Hammer 350 LTD Chocolate Brown

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Colorsound Overdriver's own voicing points at a clean amp's front end, and Aguilar Tone Hammer 350 LTD Chocolate Brown delivers it

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Put Univox Super-Fuzz in front and the fuzzy tone leans further toward octave

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)

Run fuzzy into Beetronics Buzzter Boost Preamp for more clean boost on top

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep Aguilar Tone Hammer 350 LTD Chocolate Brown's fuzzy voice out front: Boss CE-1 Chorus Ensemble goes after Aguilar Tone Hammer 350 LTD Chocolate Brown in the signal chain so its lush voice doesn't muddy it

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Alexander Pedals History Lesson Vol. 2 in Aguilar Tone Hammer 350 LTD Chocolate Brown's effects loop, clear of Aguilar Tone Hammer 350 LTD Chocolate Brown's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Alexander Pedals Oblivion Vintage Delay's warm voice goes in Aguilar Tone Hammer 350 LTD Chocolate Brown's effects loop — it's not there to compete with Aguilar Tone Hammer 350 LTD Chocolate Brown's own fuzzy character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

What Ashdown Velvet Compressor brings here leans toward compressed — that's worth building a pairing around

Goes in front of the amp