Pedals that stack with the Aguilar Tone Hammer 210 Combo
← everything about the Aguilar Tone Hammer 210 Combo
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
MXR Micro Amp
MXR
26% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → clean boost)
MXR Micro Amp takes that saturated character and pushes it toward clean boost
Goes in front of the amp
Colorsound Power Boost
Colorsound
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
The Power Boost's transparent treble kick stacks with the Tone Hammer 210's own warm, tube-driven saturation for a richer push.
Goes in front of the amp
ZVEX Fuzz Factory
Zvex
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Run ZVEX Fuzz Factory after it and the bright edge settles into something more smooth
Goes in front of the amp
BBE VariComp
Bbe
20% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)
BBE VariComp leans toward compressed, and that's a real, usable character to pair with
Goes in front of the amp
MXR WA38
MXR
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Add the WA38's stereo, filtered chorus on top of the Tone Hammer 210's own warm, tube-driven saturation for texture.
Goes in front of the amp
Mooer woodverb
Mooer
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run the woodverb in the Tone Hammer 210's loop for warm, natural reverb decay beyond the amp's own tube saturation. — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Way Huge Aqua-Puss Analog Delay
Way Huge
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Aguilar Tone Hammer 210 Combo's warm voice out front: Way Huge Aqua-Puss Analog Delay goes in Aguilar Tone Hammer 210 Combo's effects loop so its slapback voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop