Pedals that stack with the Alexander Pedals SpaceXpander

Walrus Audio Julia

Run the Julia's vibrato before the SpaceXpander in the chain — modulating a dry, undelayed signal keeps the swirl defined.

Zvex Seek Trem

Run the Seek Trem's sequenced, rhythmic pulse after SpaceXpander's spring-style reverb, so the tremolo chops a settled reverb tail instead of raw signal.

Death By Audio Octave Clang

Keep the Octave Clang's aggressive, experimental octave fuzz ahead of SpaceXpander so the spring-voiced reverb trails a settled, saturated signal.

Paul Cochrane Timmy

Keep the Timmy's transparent, treble-cutting drive ahead of SpaceXpander so the spring-voiced reverb trails a settled, EQ'd gain stage.

Caroline Guitar Company Somersault

Keep the SpaceXpander's spring reverb after the Somersault's watery modulation, so the wash doesn't blur the pitch-shifted swirl.

MXR Flanger

Run the MXR Flanger's subtle, shimmering sweep into the SpaceXpander's bright, analog reverb and the modulation trails off in that spring-like decay.

Catalinbread Callisto MkII All-Analog Chorus

Run the Callisto's analog chorus into the SpaceXpander and the modulation gets a spring-reverb tail instead of drying out at the end of the chain.

Keeley Aria

The Aria's compressed, mid-boosted blues drive feeds the SpaceXpander's bright, analog reverb a driven signal instead of a clean one.

Subdecay Starlight Flanger v2

Put the flanger before the reverb — the SpaceXpander's tail rounds out the Starlight's sweep instead of smearing it before it happens.

Jackson Audio Optimist

Keep the SpaceXpander after the Optimist so its warm vintage breakup gets a spring-reverb tail instead of the reverb tripping over the drive.

EarthQuaker Devices Grand Orbiter

The Grand Orbiter's subtle, resonant phase sweep feeds the SpaceXpander's bright, analog-voiced reverb a colored signal instead of a static one.

Boss BF-3 Flanger

Keep Alexander Pedals SpaceXpander after Boss BF-3 Flanger in the signal chain, clear of Boss BF-3 Flanger's own gain stage

Boss TR-2 Tremolo

Put Alexander Pedals SpaceXpander after Boss TR-2 Tremolo in the signal chain, clear of Boss TR-2 Tremolo's own gain stage

Xotic Robotalk 1 New Old Stock

Put the SpaceXpander after the Robotalk so the envelope filter's quack stays articulate and the reverb only colors the tail.

Old Blood Noise Endeavors BL-52

Keep Old Blood Noise Endeavors BL-52's ambient voice out front: Alexander Pedals SpaceXpander goes after Old Blood Noise Endeavors BL-52 in the signal chain so its spring voice doesn't muddy it

Analog Man Bi-Chorus

Keep Analog Man Bi-Chorus's analog warmth voice out front: Alexander Pedals SpaceXpander goes after Analog Man Bi-Chorus in the signal chain so its spring voice doesn't muddy it

Boss XS 100 Poly Shifter

Put the SpaceXpander after the Poly Shifter so the reverb tail sits under the harmonized notes instead of smearing the pitch tracking.

MXR EVH117 Flanger

Run Alexander Pedals SpaceXpander after MXR EVH117 Flanger in the signal chain, clear of MXR EVH117 Flanger's own gain stage

Dunlop BB535R Cry Baby BB535 Wah Reissue

Run Alexander Pedals SpaceXpander after Dunlop BB535R Cry Baby BB535 Wah Reissue in the signal chain, clear of Dunlop BB535R Cry Baby BB535 Wah Reissue's own gain stage

JAM Pedals Chill

Put Alexander Pedals SpaceXpander after JAM Pedals Chill in the signal chain, clear of JAM Pedals Chill's own gain stage

Ibanez FL-9 Flanger

Put Alexander Pedals SpaceXpander after Ibanez FL-9 Flanger in the signal chain, clear of Ibanez FL-9 Flanger's own gain stage

MXR CSP-026 Handwired Vintage '74 Phase 90

Alexander Pedals SpaceXpander's spring voice goes after MXR CSP-026 Handwired Vintage '74 Phase 90 in the signal chain — it's not there to compete with MXR CSP-026 Handwired Vintage '74 Phase 90's own lush character

Ibanez TS808HW Hand-Wired Tube Screamer

Keep Alexander Pedals SpaceXpander after Ibanez TS808HW Hand-Wired Tube Screamer in the signal chain, clear of Ibanez TS808HW Hand-Wired Tube Screamer's own gain stage

Dunlop 535Q Wah

Alexander Pedals SpaceXpander's spring voice goes after Dunlop 535Q Wah in the signal chain — it's not there to compete with Dunlop 535Q Wah's own mid-forward character