Pedals that stack with the Ampeg SVT-CL

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → mid-forward)

Ampeg SVT-CL pushes a edge of breakup tone toward mid-forward

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Ampeg SVT-CL takes that scooped character and pushes it toward mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Stack Ampeg SVT-CL on top and a crunchy tone tightens toward mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Into the SVT-CL's growling tube stage, the Low Octave Fuzz's sub-octave synth voice thickens the amp's own growl.

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Ampeg SVT-CL leans this dynamic tone toward compressed, which it doesn't make on its own

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Ampeg SVT-CL leans toward compressed, and that's a real, usable character to pair with

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into the SVT-CL's growling tube stage, the Low Rider's expressive bass wah cuts through instead of getting lost.

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into the SVT-CL's growling tube stage, the Bass Mono Synth's tracking stays defined instead of getting lost.

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Ampeg SVT-CL brings a pull toward compressed that's missing

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

The Distortion III's sweet, blues-voiced crunch pushes the SVT-CL's growling tube stage into real breakup.

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

The Distortion III's sweet, blues-voiced crunch pushes the SVT-CL's growling tube stage into real breakup.

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into the SVT-CL's growling tube stage, the Enigma's resonant envelope filter tracks dynamics instead of getting buried.

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into the SVT-CL's growling tube stage, the Doctors Note's dynamic envelope filter tracks your attack instead of getting buried.

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into the SVT-CL's growling tube stage, the Bass Sweeper's dynamic envelope filter tracks your attack.

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into the SVT-CL's growling tube stage, the Schwepa B's touch-dynamic envelope filter tracks your attack.

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay in Ampeg SVT-CL's effects loop, clear of Ampeg SVT-CL's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Dunlop - MXR Carbon Copy Deluxe Analog Delay's analog warmth voice goes in Ampeg SVT-CL's effects loop — it's not there to compete with Ampeg SVT-CL's own compressed character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Into the SVT-CL's growling tube stage, the Whoctahell Zigzag's sub-octave synth fuzz adds real low-end weight.

Goes in front of the amp

Into the SVT-CL's growling tube stage, the REX Brown Wah's optical sweep pushes toward real heavy-rock weight.

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Run Call 76's punchy bass compression ahead of the SVT-CL for even dynamics before the amp's own growl reacts.

Goes in front of the amp

Into the SVT-CL's growling tube stage, the Astroflange's studio-grade bass flange adds motion without losing low end.

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Run the Scylla Bass Compressor ahead of the SVT-CL for even dynamics before the amp's own growl reacts.

Goes in front of the amp

Run the XBS Bass Squeeze ahead of the SVT-CL for live-ready compression before the amp's own growling tube stage reacts.

Goes in front of the amp

Into the SVT-CL's growling tube stage, the T85's interval effects stay articulate.

Goes in front of the amp