Pedals that stack with the Amplified Nation Ampliphonix and Gain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

The TS10's fat midrange hump pushes the Ampliphonix's smooth, boutique sustain into real breakup.

Goes in front of the amp

The Overdriveland's glassy, jazz-voiced headroom stacks with the Ampliphonix's own smooth, sustaining overdrive for a richer push.

Goes in front of the amp

Shin's Music Dumbloid is voiced for Dumble-style amps — Amplified Nation Ampliphonix and Gain gives it exactly that

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put EarthQuaker Devices Grand Orbiter after Amplified Nation Ampliphonix and Gain in the signal chain, clear of Amplified Nation Ampliphonix and Gain's own gain stage

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Run the Mini Ego 76's FET compression ahead of the Ampliphonix for even attack before the amp's own smooth overdrive reacts.

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR Analog Delay's warm voice goes in Amplified Nation Ampliphonix and Gain's effects loop — it's not there to compete with Amplified Nation Ampliphonix and Gain's own smooth character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Alexander Pedals Space Race in Amplified Nation Ampliphonix and Gain's effects loop, clear of Amplified Nation Ampliphonix and Gain's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop