Amps that pair well with the Analog Man King of Tone

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Analog Man King of Tone leans smooth right where the bright tone needs it

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

The King of Tone's transparent boost stacks with the Plexi 7's own natural, boutique classic-rock clean for a fuller push.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

Analog Man King of Tone takes that crunchy character and pushes it toward clean boost

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

Analog Man King of Tone takes that crunchy character and pushes it toward clean boost

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

The King of Tone's transparent boost stacks with the Studio Jubilee 2525H's own smooth, singing crunch for a fuller push.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

The King of Tone's transparent boost stacks with the Jose LTD's own modified-Marshall high-gain voice for a fuller push.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

The King of Tone's transparent boost stacks with the SC20C's own biting JCM800-voiced distortion for a fuller push.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

Analog Man King of Tone takes that crunchy character and pushes it toward clean boost

Comes later in the signal chain

The King of Tone's transparent boost stacks with the Ecstasy 3534's own rich, thick boutique clean for a fuller push.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Analog Man King of Tone leans bright right where the warm tone needs it

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

Analog Man King of Tone takes that crunchy character and pushes it toward clean boost

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

Feed a crunchy signal into Analog Man King of Tone and it comes out closer to clean boost

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Stack the King of Tone's transparent boost in front of the Dualtop's high-gain channel and the amp's crunch tightens without losing clarity.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

Into the Bel-Ray's chiming, British-voiced crunch, the King of Tone's transparent boost pushes real saturation.

Comes later in the signal chain

Analog Man King of Tone leans toward transparent, and that's a real, usable character to pair with

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

Analog Man King of Tone's own voicing points at Marshall-style amps, and Bogner Ecstasy 101B delivers it

Comes later in the signal chain

Into the Little Sister's driven, British tube preamp, the King of Tone's transparent boost pushes real classic-rock crunch.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

Into the British 20 Watt's sweet, chimey breakup, the King of Tone's transparent boost pushes real crunch.

Comes later in the signal chain

Stack Analog Man King of Tone on top and a edge of breakup tone tightens toward clean boost

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

The King of Tone's transparent boost stacks with the DSL100H's own responsive, modern tube clean for a fuller push.

Comes later in the signal chain

The King of Tone's transparent boost stacks with the AD200B's own musical, heavy-rock valve grind for a fuller push.

Comes later in the signal chain

Feed a edge of breakup signal into Analog Man King of Tone and it comes out closer to clean boost

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

Analog Man King of Tone pushes a crunchy tone toward clean boost

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

The King of Tone's transparent boost stacks with the Crunch 150R's own medium-gain British crunch for a fuller push.

Comes later in the signal chain