Amps that pair well with the Analog Man King of Tone

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

The King of Tone's transparent boost stacks with the L5 Studio's own DI-ready recording tube tone for a fuller push.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

The King of Tone's transparent boost stacks with the 2202H's own biting, classic-rock preamp for a fuller push.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

The King of Tone's transparent boost stacks with the DSL1CR's own quiet, practice-level tube crunch for a fuller push.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Feed a high gain signal into Analog Man King of Tone and it comes out closer to clean boost

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

The King of Tone's transparent boost stacks with the RUNT-20's own natural, high-gain tube saturation for a fuller push.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

The King of Tone's transparent boost stacks with the PT100's own modern, session-ready high-gain clean for a fuller push.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Feed a high gain signal into Analog Man King of Tone and it comes out closer to clean boost

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Analog Man King of Tone pushes a high gain tone toward clean boost

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

The King of Tone's transparent boost stacks with the DualRig's own modern, high-gain metal voice for a fuller push.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Analog Man King of Tone takes that high gain character and pushes it toward clean boost

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → clean boost)

Into the Lionheart L5's classic-rock British valve breakup, the King of Tone's transparent boost pushes real saturation.

Comes later in the signal chain

Analog Man King of Tone is voiced for Marshall-style amps — Blackstar TV-10 gives it exactly that

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

Into the PMV800H's midrange-forward, blues-voiced pedal platform, the King of Tone's transparent boost pushes real classic-rock gain.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

Into the PMV800H's midrange-forward, blues-voiced pedal platform, the King of Tone's transparent boost pushes real classic-rock gain.

Comes later in the signal chain

Into Blackstar HT-20RH MkIII, Analog Man King of Tone is right at home: it's built around Marshall-style amps

Comes later in the signal chain

Feed a edge of breakup signal into Analog Man King of Tone and it comes out closer to clean boost

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Into the Inferno E766's gated, high-gain crunch, the King of Tone's transparent boost pushes real gain.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Into the DA100 Ruby's hot, high-gain crunch, the King of Tone's transparent boost pushes real bite.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Into the BE-Mini Head's recognizable, high-gain Friedman voice, the King of Tone's transparent boost pushes real gain.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Into the SL2 Module's high-gain, metal-voiced tube preamp, the King of Tone's transparent boost pushes real gain.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

Into the Terror Stamp's practice-level tube drive, the King of Tone's transparent boost pushes real gain at headphone volume.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Feed a high gain signal into Analog Man King of Tone and it comes out closer to clean boost

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Into the LeadRig 112's modern, high-gain clean, the King of Tone's transparent boost pushes real crunch.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Feed a high gain signal into Analog Man King of Tone and it comes out closer to clean boost

Comes later in the signal chain