Pedals that stack with the Analog Man King of Tone

Ibanez Tube Screamer

The Screamer's mid-forward boost stacks with the King of Tone's own transparent, clean-boosted drive.

Klon Centaur

Documented together in at least one rig — both stay transparent and clear, so stacking the King of Tone into the Klon adds volume without murking up the breakup. — also used together by 1 artist

MXR Phase 90

Run the Phase 90 after the King of Tone's transparent drive so the sweep colors an already-boosted tone instead of a flat clean.

REVV G2 Green

G2 Green's warm, dynamic saturation stacks with the King of Tone's own transparent boost for a richer, layered push.

MXR Dyna Comp

The Dyna Comp's squash evens pick dynamics before the King of Tone's own transparent, clean-boosted drive.

Dawner Prince Boonar

The Boonar's Echorec-style repeats trail the King of Tone's transparent boost into a vintage wash of echo. — goes in the amp's FX loop (or last, into a clean amp)

Electronic Audio Experiments Greathammer Bass Driver

The Greathammer's defined, analog bass saturation stacks with the King of Tone's own transparent boost for a richer push.

Mr. Black Bloodmoon

Keep the Bloodmoon's dark, creamy reverb after the King of Tone's transparent drive, so the wash trails a defined tone instead of a raw one. — goes in the amp's FX loop (or last, into a clean amp)

MXR M237 DC Brick

Analog Man King of Tone's own transparent character is the real reason this is worth trying

Warm Guitar Pedals ODD

Analog Man King of Tone leans toward transparent, and that's a real, usable character to pair with

NuX Bass Preamp with Modeling and DI Output

Analog Man King of Tone's own transparent character is the real reason this is worth trying

Walrus Audio EB-10B

Analog Man King of Tone leans toward transparent, and that's a real, usable character to pair with

ThorpyFX ER-2 Block 2

What Analog Man King of Tone brings here leans toward transparent — that's worth building a pairing around

Vox TG1-V8DS V8 Distortion

Analog Man King of Tone's own transparent character is the real reason this is worth trying

Wampler Latitude Standard

What Analog Man King of Tone brings here leans toward transparent — that's worth building a pairing around

NuX NSS-6 Solid Studio MKII

Analog Man King of Tone's own transparent character is the real reason this is worth trying

Roger Mayer Spitfire Distortion

Analog Man King of Tone leans toward transparent, and that's a real, usable character to pair with

ThorpyFX Have Blue

Analog Man King of Tone leans toward transparent, and that's a real, usable character to pair with

Vox Bullet Distortion Switch

What Analog Man King of Tone brings here leans toward transparent — that's worth building a pairing around