Pedals that stack with the Artec SE-NGT

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Nobels ODR-1's own full character is the real reason this is worth trying

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

What Electro-Harmonix 1973 Violet Ram's Head Big Muff Pi V2 brings here leans toward fuzzy — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

JAM Pedals Tubedreamer leans toward mid-forward, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

J. Rockett The Dude leans toward mid-forward, and that's a real, usable character to pair with

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb after Artec SE-NGT in the signal chain, where it won't crowd Artec SE-NGT — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Aguilar Grape Phaser (Bass Analog Phaser)'s own modulated character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Keeley Aria leans toward compressed, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Ibanez TS9 Tube Screamer's own mid-forward character is the real reason this is worth trying

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Strymon BigSky after Artec SE-NGT in the signal chain, where it won't crowd Artec SE-NGT — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Ibanez TS Mini Tube Screamer's own transparent character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Keep the SE-NGT ahead of the Moxie TS10 — it silences noise before the compressed, blues-voiced mini drive kicks in.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Walrus Audio 385 MkII Overdrive leans toward compressed, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Orange Bass Butler Bi-Amp Bass Preamp brings here leans toward transparent — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Maxon OD-9 Pro+ leans toward mid-forward, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Behringer TO800 Vintage Tube Overdrive leans toward smooth, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Ibanez TS9 40th Anniversary leans toward transparent, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Orange Guitar Butler Dual-Channel Preamp leans toward mid-forward, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Keep the SE-NGT ahead of the VS-XO — it silences noise before the reliable, mid-bass overdrive kicks in.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What A/DA MP-1 brings here leans toward mid-forward — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Vertex Boost MKII brings here leans toward clean boost — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Run the SE-NGT ahead of Octavius to gate out hiss before the psychedelic, tracking octave fuzz reacts.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Guptech Slime Mid-Boost's own mid-forward character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Keep the SE-NGT ahead of the MVP1 — it silences noise before the rich, live-ready vocal preamp kicks in.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Keep the SE-NGT ahead of the OSD-9 — it silences noise before the hybrid TS-voiced distortion kicks in.

Comes later in the signal chain